The New Yorker on Falla and Flamenco

March 18, 2014: In anticipation of the upcoming performance of Manuel de Falla’s ballet, El Amor Brujo, Joan Acocella writes in The New Yorker, that the composer “spent his late years creating what he hoped was a universalized version of Spanish music”.  The event will take place this weekend (March 22-23, click here for tickets), and will feature the Foundation’s ensemble-in-residence Perspectives Ensemble. That Sunday, Foundation director Antoni Pizà will participate in a pre-concert roundtable discussion, along with writer Antonio Muñoz Molina and Perspectives Ensemble choreographer Igal Perry.