Schedule: Musicology in the Age of (Post)Globalization. The Barry S. Brook Centennial Conference Tuesday, 3 April 2018 9:00–10:00 Registration Elebash Recital Hall lobby 10:00 Welcome and Opening Remarks Elebash Recital Hall 10:15—12:15 Musicology in a (Post)Global Age I: Panel Discussion Elebash Recital Hall Chair: Tina Frühauf Discussants: Salwa El-Shawan Castelo-Branco (Universidade Nova de Lisboa and President of the ICTM) Laurenz Lütteken (Universität Zürich and Editor-in-Chief of MGG Online) Philippe Vendrix (President of the Université de Tours) Egberto Bermúdez (Universidad Nacional de Colombia and Vice-President of the IMS) 12:15—14:00 Lunch Break 14:00—16:00 Musicology in A (Post)Global Age II: Issues and Perspectives Elebash Recital Hall Chair: Philippe Vendrix (Université de Tours) David Blake (State University of New York, Potsdam), Omnivorous Values and Disciplinary Critiques of Musicology Wolfgang Marx (University College Dublin), Critiquing Oneself Back into Business? Post-Factual Narcissism in Musicology Lisa Urkevich (American University of Kuwait), Why Can’t My Country Have a Beethoven? The Need for Global Musicology in the Contemporary World Juliana Carla Bastos (Universidade Federal do Piauí), Towards a Sonorous Ethics: Perspectives for Ethnomusicology in the Twenty-first Century 16:00—16:30 Coffee Break Elebash Recital Hall lobby 16:30—18:00 Tribute to Barry S. Brook Elebash Recital Hall Chair: Barbara Dobbs Mackenzie H. Robert Cohen ( University of Maryland, Professor Emeritus, and Répertoire International de la Presse Musicale) Maria Calderisi Bryce (National Library of Canada, retired) Barbara Dobbs Mackenzie (Barry S. Brook Center for Music Research and Documentation and RILM) Randy Brook (son of Barry S. Brook) Zdravko Blažeković (Research Center for Music Iconography and RILM) 18:00—21:00 Reception (open to conference registrants only) William P. Kelly Skylight Room, Ninth Floor “Invierno Porteño”, by Astor Piazzolla Federico Díaz, guitar (DMA Student, The Graduate Center, The City University of New York) Greetings Tina Frühauf (Répertoire International de Littérature Musicale, New York; The Graduate Center, The City University of New York) David Olan (Associate Provost and Dean for Academic Affairs, The Graduate Center, The City University of New York) “Cantiga de Santa María”, by Frederic Hand Federico Díaz, guitar (DMA Student, The Graduate Center, The City University of New York) Establishment of The Claire Brook Award Barbara Dobbs Mackenzie (Director of the Barry S. Brook Center for Music Research and Documentation, The Graduate Center, The City University of New York) W. Drake McFeely (President of W.W. Norton & Company) Wednesday, 4 April 2018 9:00—10:30 Musicologies I: (South) Eastern Europe William P. Kelly Skylight Room, Ninth Floor Chair: Ana Hofman Jana Vaculíková (Univerzita Palackého, Olomouc), Ethnomusicology in the Czech Republic: History and Present State of Affairs Hana Urbancová (Slovenská akadémia vied, Bratislava), An Integrated Model of Musicology and Its Applications: An Example from Slovakia Bianca Ţiplea Temeş (Academia de Muzică “Gheorghe Dima”, Cluj-Napoca), From Communist Isolation to Globalized Networking: Romanian Musicology at the Crossroads Research and the Archive in the Digital Age Room 9206/9207, Ninth Floor Chair: Scott Burnham Ira Prodanov Krajisnik and Nataša Crnjanski (Univerzitet u Novom Sadu), Archiving in the Age of (Post)Globalization: Toward a Method of Microhistory Sharon Kanach (Centre Iannis Xenakis, Université de Rouen), From the “End of the World” to the Heart of the Subject: Music Research in the Digital Age Nico Schüler (Texas State University, San Marco), Digital Music Research as a Bridge between (Sub-)Disciplines 10:30—11:00 Coffee Break William P. Kelly Skylight Room, Ninth Floor 11:00—12:30 Musicologies II: Perspectives William P. Kelly Skylight Room, Ninth Floor Chair: Lisa Urkevitch Barbara R. Barry (Hebrew University, Jerusalem), At Home in the Universe: Musical Works and Multiple Worlds Katy Romanou (European University Cyprus, Nicosia), Musicology and the Common Man Juliane Larsen (Universidade Federal da Integração Latino-Americana, Foz do Iguaçu), Writing History of Art Music in Postcolonial Countries: Directions for the Decoloniality of Latin American Musicology Bibliography and Documentation Room 9206/9207, Ninth Floor Chair: Laurenz Lütteken Carmela Bongiovanni (Conservatorio Niccolò Paganini, Genova), Music Bibliography and Information Literacy: A Global Enterprise Federica Riva (Conservatorio di musica “A. Boito”, Parma), “World Music Documentation System: A Phantasy”: Reading Barry S. Brook Forty Years Later 12:30—14:00 Lunch Break 14:00—15:30 Musicologists and Perspectives William P. Kelly Skylight Room, Ninth Floor Chair: Egberto Bermúdez Lisbeth Ahlgren Jensen (Independent Scholar, Copenhagen), Hortense Panum in Search of Missing Links: A Danish Musicologist with a Global View Grant Olwage (University of the Witwatersrand, Johannesburg), Border Thinking in Musicology: The Example of Paul Robeson’s “Thoughts” Barbara Titus (Universiteit van Amsterdam), Musical Epistemologies and Musicological Disavowals: A South African Case Study Musicologies III: The (Post)Soviet Era Room 9206/9207, Ninth Floor Chair: Rūta Stanevičiūtė Teona Lomsadze (Tbilisi State Conservatoire), Ethno/ Musicology in Post-Soviet Georgia: Towards Western Approaches Rima Povilioniene (Lietuvos muzikos ir teatro akademija, Vilnius), Baltic Musicological Conferences, 1967 to Present: Contextualizing the Musicological Research in Lithuania after the Soviet Collapse and Lithuanian Independence Restoration 15:30—16:00 Coffee Break William P. Kelly Skylight Room, Ninth Floor 16:00—18:00 Listening in Today’s Multicultural Soundscape: Music Theory and Analysis in the Era of Postglobalization William P. Kelly Skylight Room, Ninth Floor Chair: Panayotis Mavromatis Dave Fossum (University of Pittsburgh), Copyright, Music Analysis, and an Ethnography of Music Analysis Leslie Tilley (Massachusetts Institute of Technology, Cambridge), Creativity Beyond Borders: On the Cross-Cultural, Cross-Disciplinary Analysis of Improvisation Panayotis Mavromatis (New York University), Exploring Musical Schemata: Opportunities for Global and Interdisciplinary Encounters Roundtable and Panel Discussion Policies, Politics, and Activism 9206/9207, Ninth Floor Chair: Wolfgang Marx Keivan Djavadzadeh (Paris 8 University), Music and Cultural Appropriation in the Age of (Post)Globalization Sabine Feisst (Arizona State University, Tempe), Fences as Sonic Bridges: Musical Activism at the U.S.-Mexico Border Matt Brounley (Stony Brook University), Sounding Deregulation: The Gibson Government Series and the Globalized Electric Guitar Viktoria Zora (University of London), Cultural Diplomacy and Politics in Musical Exchange between the USSR and the U.S., 1942–1948 Thursday, 5 April 2018 10:00—12:00 Musicologies IV: Japan and (Post)Yugoslavia William P. Kelly Skylight Room, Ninth Floor Chair: Anne Stone Satoru Takaku (Nihon University, Tokorozawa), Unknown Bloom Awaiting Globalization? A History of Musicology in Late–Twentieth-Century Japan Alexander Binns (University of Hull), Musical Tensions: The Position of Musicology in Modern Japan Ana Hofman (Znanstvenoraziskovalni center Slovenske akademije znanosti in umetnosti, Ljubljana), Toward the Utopian Ethno/Musicology: Researching Self/Emancipatory Musical Alliances after Yugoslavia Ana Petrov (Univerzitet Singidunum, Belgrade), Society without Territory: Dealing with Yugoslav Popular Music after the Dissolution of Yugoslavia Mapping Ethnomusicology’s Record: State Power, Cosmopolitanism, Indigeneity, and Identity 9206/9207, Ninth Floor Chair: Barbara Titus Aaron Fox (Columbia University, New York), The Rise, Fall, and Rise of Native Americanist Ethnomusicology: Scholarship, Militarism, and the Ethnomusicological Archive Benjamin Tausig (Stony Brook University), Historical Resonance: Musical Intimacy and the Development of Bangkok During the Vietnam War Beatriz Goubert (Columbia University, New York), Muisca Andean Music: Indigenous Cultural Recuperation and Multicultural Politics of Recognition in Colombia Jay Loomis (Stony Brook University), Salvage Ethnology, Repatriation & The Frances Densmore Dilemma 12:00—14:00 Lunch Break 14:00—16:00 Jewish Music, Transculturality, Transnationality, and Trans-Ethnicity in the Age of (Post)Globalization William P. Kelly Skylight Room, Ninth Floor Sponsored by the Jewish Music Forum, a project of the American Society for Jewish Music Chair: Mark Slobin Mark Slobin (Wesleyan University, Middletown), Fiddler on the Roof and the American Folk Revival Amalia Ran (Tel Aviv University), Musical Ethnoscapes: The Role of Jewish Musicians in Argentinean Popular Music Moshe Morad (Tel Aviv University), “Oriental/Mediterranean” Music: Postglobalization, Trans-Ethnicity, and Political Power National Perspectives in the Age of (Post)Globalization: Music Historiographies in (Post-)Communist Transition 9206/9207, Ninth Floor IMS Study Group Music and Cultural Studies Chair: Tatjana Marković Tatjana Marković (Universität für Musik und darstellende Kunst Wien), Post-Yugoslav National Music Historiographies between Nostalgia and Denying the Past Antonio Baldassarre (Hochschule Luzern), History, Memory, and Identity: “Ostalgia” in Germany Rūta Stanevičiūtė (Lietuvos muzikos ir teatro akademija), Postcolonialism and Post-Soviet Transition of the Lithuanian Music Historiographies Cheong Wai-ling (Chinese University of Hong Kong), Debussy’s Music in China: Years of Condemnation and Revelation 16:00—16:30 Coffee Break William P. Kelly Skylight Room, Ninth Floor 16:30—18:00 Diversity or Survival? Sharing Traditions in the Globalized World of Music Education William P. Kelly Skylight Room, Ninth Floor Sponsored by the Center for Traditional Music and Dance Convener: Marissa Glynias Moore Discussants: Huib Schippers (Smithsonian Folkways Recordings) Ramon Ponce, Jr. (Mariachi Academy of New York) Luz Pereira (Pachamama Peruvian Arts, New York) Julie Tay (Mencius Society for the Arts, New York) Marissa Glynias Moore (Yale University and the Center for Traditional Music and Dance) Proposals for a New World in Music Research and Practice 9206/9207, Ninth Floor GReCo –The Research Group on Renaissance and Contemporary Music Chair: Camilla Cavicchi Fábio Cury (Universidade de São Paulo), GReCo’s Socio‐Political Stand in the Emergence of a New Musical Thought Cesar Marino Villavicencio Grossmann (Universidade de São Paulo), GReCo’s Recorder Consort: Applied Philology and the Transcending of Organological Boundaries Paula Andrade Callegari (Universidade Federal de Uberlândia), GReCo’s Rhetorical Decorum Friday, 6 April 2018 9:00—10:30 Musicologies V: Case Studies William P. Kelly Skylight Room, Ninth Floor Chair: Sabine Feisst Dorit Klebe (Freie Universität Berlin), Comparative Studies in Musicology: On the “Melodic Line” in Seventeenth-Century Vocal Music of the Mediterranean in Light of Recent Global Developments Camilla Cavicchi (Université de Tours), Musicological Strategies for a Conscious Society: A Renaissance Case Study Luis Ricardo Silva Queiroz (Universidade Federal da Paraíba), Ethnomusicology, Music Education, and Decoloniality: Perspectives for Rethinking Brazilian Higher Music Education Methodological Masala: Dissolving Disciplinary Boundaries through the Study of Indian Music 9206/9207, Ninth Floor Chair: Margaret E. Walker Suddhaseel Sen (Indian Institute of Technology Bombay), Between “Text” and “Context”: Ethnomusicology and the Study of Non-Western Music Nalini Ghuman (Mills College), Insiders and Outsiders: A Tale of Two Pairs Margaret E. Walker (Queen’s University, Kingston), Colonial Representation or Historical Authenticity? Analysis of “A Hindostanee Dance” 10:30—11:00 Coffee Break 11:00—12:30 The Music Survey at a (Post)Global University William P. Kelly Skylight Room, Ninth Floor Chair: Lucie Vágnerová Lucie Vágnerová (Columbia University, New York), Rethinking the Musical Museum in 2018 Andrés García Molina (Columbia University, New York), East–West Encounters in Music Core Curricula Sky Macklay (Columbia University, New York), Student-Created Content in the Core Music Class Paula Harper (Columbia University, New York), From “Pieces” to “Listening Practices” 12:30—13:30 Closing Plenary: Where Are We / Where Do We Go? William P. Kelly Skylight Room, Ninth Floor This plenary puts advanced graduate students at the heart of the discussion on musicology as a discipline, giving them the opportunity to reflect on conversations and papers from the conference. From differing perspectives, they will talk about their engagement, interaction, and experience with the conference theme. Chair: Tina Frühauf Co-Chair: Margaret E. Walker Discussants: Paula Harper (Columbia University, New York), Jay Loomis (Stony Brook University)