Selected Bibliography, Discography, and Webography

Response in Music to Climate Change
(Compiled by Lori Rothstein, Editor, RILM)
PDF version
*conference presenter

Collections

*Allen, Aaron S. “Environmental changes and music”, Music in American life: An encyclopedia of the songs, styles, stars, and stories that shaped our culture, ed. by Jacqueline Edmondson (Santa Barbara: Greenwood, 2013) 418–421. [RILM Abstracts of Music Literature, 2013-50859]

Burtner, Matthew. “Sounding art climate change”, The Routledge companion to sounding art, ed. by Marcel Cobussen, Vincent Meelberg, and Barry Truax (New York: Routledge, 2016) 287–304. [RILM Abstracts of Music Literature, 2017-674]

Cooley, Timothy J., ed. Cultural sustainabilities: Music, media, language, advocacy (Urbana: University of Illinois Press, 2019). [RILM Abstracts of Music Literature, 2019-5056]

*Feisst, Sabine. “Allô, ici la terre: Agency in ecological music composition, performance, and listening”, On active grounds: Agency and time in the environmental humanities, ed. Robert Boschman and Mario Trono. Environmental humanities (Calgary: Wilfrid Laurier University Press, 2019), 87–106. [RILM Abstracts of Music Literature, 2019-27030]

Post, Jennifer C.Climate change, mobile pastoralism, and cultural heritage in Western Mongolia”, Cultural sustainabilities: Music, media, language, advocacy, ed. Timothy J. Cooley (Urbana: University of Illinois Press, 2019), 75–86. [RILM Abstracts of Music Literature, 2019-5064]

Quinn, Marty.Data as music: Why musically encoded sonification design offers a rich palette for information display”, Environmental sound artists: In their own words, ed. by Frederick W. Bianchi and V.J. Manzo (New York: Oxford University Press, 2016), pp. 92–101. [RILM Abstracts of Music Literature, 2016-5398]

*Titon, Jeff Todd. “Sustainability, resilience, and adaptive management for applied ethnomusicology”, The Oxford handbook of applied ethnomusicology, ed. by Svanibor Pettan and *Jeff Todd Titon (New York: Oxford University Press, 2015). [RILM Abstracts of Music Literature, 2015-6030]

_____. Toward a sound ecology: New and selected essays. Music, nature, place (Bloomington: Indiana University Press, 2020). [RILM Abstracts of Music Literature, 2020-60874]

Monographs

*Adams, John Luther. Silences so deep: Music, solitude, Alaska (New York: Farrar, Straus and Giroux, 2020). [RILM Abstracts of Music Literature, 2020-61095]

Ingram, David. The jukebox in the garden: Ecocriticism and American popular music since 1960. Nature, culture and literature (Amsterdam: Rodopi, 2010). [RILM Abstracts of Music Literature, 2010-50555]

Monacchi, David. Fragments of Extinction: An eco-acoustic music project on primary rainforest biodiversity (Urbino: Edizioni ME, 2014). [RILM Abstracts of Music Literature, 2014-87198]

*Pedelty, Mark. A song to save the Salish Sea: Musical performance as environmental activism. Music, nature, place (Bloomington: Indiana University Press, 2016). [RILM Abstracts of Music Literature, 2016-5269]

_____. Ecomusicology: Rock, folk, and the environment (Philadelphia: Temple University Press, 2012). [RILM Abstracts of Music Literature, 2012-6252]

*Watkins, Holly. Musical vitalities: Ventures in a biotic aesthetics of music. New material histories of music (Chicago: University of Chicago Press, 2018). [RILM Abstracts of Music Literature, 2018-45388]

Periodicals

*Abels, Birgit. “‘It’s only the water and the rocks that own the land’: Sound knowledge and environmental change in Palau, Western Micronesia”, Asian-European music research e-journal 2 (2018) 21–32.
https://cdn-cms.f-static.com/uploads/1266233/normal_5c219f9c55b34.pdf. [RILM Abstracts of Music Literature, 2018-11433]

*Allen, Aaron S.  “A “stubbornly persistent illusion”? Climate crisis and the North, ecomusicology and academic discourse”, European Journal of Musicology, 18/1 (2020) 16–35. https://doi.org/10.5450/EJM.18.1.2019.16. [RILM Abstracts of Music Literature, 2019-20596]

_____, *Jeff Todd Titon, and *Denise Von Glahn. “Sustainability and sound: Ecomusicology inside and outside the academy”, Music and politics 8/2 (summer 2014) 83–108. https://doi.org/10.3998/mp.9460447.0008.205. [RILM Abstracts of Music Literature, 2014-66057]

Barclay, Leah.Sonic ecologies: Exploring the agency of soundscapes in ecological crisis”, Soundscape: The journal of acoustic ecology, 12/1 (2013) 29–32. https://www.wfae.net/uploads/5/9/8/4/59849633/soundscape_volume12.pdf. [RILM Abstracts of Music Literature, 2013-46393]

Brennan, Matt and Kyle Devine. “The cost of music”, Popular Music 39/1 (February 2020) 43–65. https://doi.org/10.1017/S0261143019000552. [RILM Abstracts of Music Literature, 2020-1536]

Burtner, Matthew. “Climate change music: From environmental aesthetics to ecoacoustics”, South Atlantic quarterly 116/1 (1 January 2017), 145–161. https://doi.org/10.1215/00382876-3749392. [RILM Abstracts of Music Literature, 2017- 61156]

Chisholm, Dianne.Shaping an ear for climate change: The silarjuapomorphizing music of Alaskan composer John Luther Adams”, Environmental humanities 8/2 (2016) 172–195. https://doi.org/10.1215/22011919-3664211. [RILM Abstracts of Music Literature, 2016-46641]

*Chung, Andrew. “Vibration, difference, and solidarity in the Anthropocene: Ethical difficulties of new materialist sound studies and some alternatives”, Resonance: The journal of sound and culture. 2/2 (2021) 218–241. https://doi.org/10.1525/res.2021.2.2.218. [RILM Abstracts of Music Literature, 2021-6586]

*Clark, Emily Hansell. “The ear of the Other: Colonialism and decolonial listening”, The quietus (23 January 2021) https://thequietus.com/articles/29445-sound-colonialism-and-decolonial-listening-focus-on-sound-emily-hansell-clark. [RILM Abstracts of Music Literature, 2021-6882]

Cline, Jake.How one composer channels climate grief into orchestral pieces–And why John Luther Adams turned from activism to art”, Sierra: The magazine of the Sierra Club (30 December 2020) https://www.sierraclub.org/sierra/2021-1-january-february/mixed-media/how-one-composer-channels-climate-grief-orchestral-pieces-john-luther-adams. [RILM Abstracts of Music Literature, 2020-60871]

*Galloway, Kate.Listening to and composing with the soundscapes of climate change”, Resilience: A journal of the environmental humanities 7/2-3 (spring–fall 2020) 81–105. https://muse.jhu.edu/article/762965. [RILM Abstracts of [Music Literature, 2020-60872]

_____. “The aurality of pipeline politics and listening for nacreous clouds: Voicing Indigenous ecological knowledge in Tanya Tagaq’s Animism and Retribution”, Popular music 39/1 (February 2020) 121–144. https://doi.org/10.1017/S026114301900059X. [RILM Abstracts of Music Literature, 2020-1537]

Gilmurray, Jonathan. “Ecological sound art: Steps towards a new field”, Organised sound, 22/1 (April 2017) 32–41. https://doi.org/10.1017/S1355771816000315. [RILM Abstracts of Music Literature, 2017-885]

_____. “Sounding the alarm: An introduction to ecological sound art”, Muzikološki zbornik/Musicological annual 52/2 (2016), 71–84. https://doi.org/10.4312/mz.52.2.71-84. [RILM Abstracts of Music Literature, 2016-22390]

Greene, Jayson. “What can music do during climate collapse?”, Pitchfork (22 April 2021) https://pitchfork.com/features/overtones/climate-change-music/. [RILM Abstracts of Music Literature, 2021-6841].

*Hawitt, Rowan Bayliss. “’It’s a part of me and I’m a part of it’: Ecological thinking in contemporary Scottish folk music”, Ethnomusicology forum 29/3 (2020) 333–355. https://doi.org/10.1080/17411912.2021.1897950. [RILM Abstracts of Music Literature, 2020-60873]

Kinnear, Tyler. “Voicing nature in John Luther Adams’s The place where you go to listen”, Organised sound 17/3 (December 2012), 230–239. https://doi.org/10.1017/S1355771811000434. [RILM Abstracts of Music Literature, 2012-11550]

Meyers, Rachel and Carolyn Philpott. “Listening to Antarctica: Cheryl E. Leonard’s eco-acoustic creative practice”, Fusion journal 19 (2021) 64–77. https://fusion-journal.com/wp-content/uploads/2021/03/Meyers-and-Philpot-Final-Listening-to-Antarctica.pdf. [RILM Abstracts of Music Literature, 2021-6587]

Monacchi, David.Fragments of Extinction: Acoustic biodiversity of primary rainforest ecosystems”, Leonardo music journal 23 (2013) 23–25. https://doi.org/10.1162/LMJ_a_00148. [RILM Abstracts of Music Literature, 2013-10768]

Ochoa Gautier, Ana María. “Acoustic multinaturalism, the value of nature, and the nature of music in ecomusicology”, Boundary 2: An international journal of literature and culture 43/1 (February 2016) 107–141. https://doi.org/10.1215/01903659-3340661. [RILM Abstracts of Music Literature, 2016-44040]

*Parrotta, Priya. “When oceans meet: Musical diversity, environmentalism, and dialogue in a changing world”, Musiké: Revista del Conservatorio de Música de Puerto Rico, 7/1 (October 2019) 17–27. https://medium.com/music-the-earth-international/when-oceans-meet-9e268c56d97a. [RILM Abstracts of Music Literature, 2019-9880]

*Pedelty, Mark, *Rebecca Dirksen, Tara Hatfield, *Yan Pang, and *Elja Roy. “Field to media: Applied ecomusicology in the Anthropocene”, Popular music 39/1 (February 2020) 22–42. https://doi.org/10.1017/S0261143019000540. [RILM Abstracts of Music Literature, 2020-1541]

Peterson, Marina L. and Vicki L. Brennan. “A sonic ethnography: Listening to and with climate change”, Resonance 1/4 (winter 2020): 371–375. https://doi.org/10.1525/res.2020.1.4.371. [RILM Abstracts of Music Literature, 2020-54115]

Philpott, Caroline. “Sonic explorations of the southernmost continent: Four composers’ responses to Antarctica and climate change in the twenty-first century”, Organised sound 21/1 (April 2016) 83–93. https://doi.org/10.1017/S1355771815000400. [RILM Abstracts of Music Literature, 2016-734]

Ramnarine, Tina K. “Music and northern forest cultures,” European journal of musicology 18/1 (2019) 111–127. https://doi.org/10.5450/EJM.18.1.2019.111. [RILM Abstracts of Music Literature, 2019/20602]

*Rehding, Alexander. “Ecomusicology between apocalypse and nostalgia”, Journal of the American Musicological Society 64/2 (summer 2011) 409–414. https://doi.org/10.1525/jams.2011.64.2.409. [RILM Abstracts of Music Literature, 2011-3936]

Ribac, François and Paul Harkins.”Popular music and the Anthropocene”, Popular music 39/1 (February 2020) 1–21. https://doi.org/10.1017/S0261143019000539. [RILM Abstracts of Music Literature, 2020-1557]

Ritts, Max and Karen Bakker. “New forms: Anthropocene Festivals and experimental environmental governance”, Environment and planning E: Nature and space (26 November 2019) https://doi.org/10.1177/2514848619886974. [RILM Abstracts of Music Literature, 2019-27032]

*Safran, Benjamin A. “’A gentle, angry people’: Music in a Quaker nonviolent direct-action campaign to power local green jobs,” Yale journal of music and religion 5/2 (2019) 82–102. https://doi.org/10.17132/2377-231X.1140.  [RILM Abstracts of Music Literature, 2019/14114]

Sakakibara, Chie. “’No whale, no music’: Iñupiaq drumming and global warming”, Polar record: A journal of Arctic and Antarctic research 45/4 (October 2009) 289–303. https://doi.org/doi:10.1017/S0032247408008164. [RILM Abstracts of Music Literature, 2009-48488]

Seabrook, Deborah. “Music therapy in the era of climate crisis: Evolving to meet current needs”, The arts in psychotherapy 68 (March 2020) Article 101646, 8 p. https://doi.org/10.1016/j.aip.2020.101646. [RILM Abstracts of Music Literature, 2020-60875]

St. George, Scott, Daniel Crawford, Todd Reubold, and Elizabeth Giorgi. “Making climate data sing: Using music-like sonifications to convey a key climate record”, Bulletin of the American Meterological Society 98/1 (2017) 23–27. https://doi.org/10.1175/BAMS-D-15-00223.1. [RILM Abstracts of Music Literature, 2017-61069]

Sweers, Britta. “Environmental perception and activism through performance: Alpine song and sound impressions”, European journal of musicology 18/1 (2019) 138–159. https://doi.org/10.5450/EJM.18.1.2019.138. [RILM Abstracts of Music Literature, 2019-20604]

*Von Glahn, Denise R. “Sounds real and imagined: Libby Larsen’s Up where the air gets thin”, European journal of musicology 18/1 (2019) 99–110. https://doi.org/10.5450/EJM.18.1.2019.99. [RILM Abstracts of Music Literature, 2019-20601]

Weston, Donna, Leah Coutts, and Marcus Petz. “Music and the twenty-first century ecowarrior”, SN social sciences, 1 (2021) Article 245, 23 p. https://doi.org/10.1007/s43545-021-00253-z. [RILM Abstracts of Music Literature, 2021-7747]

*Wodak, Josh. “If a seed falls in a forest: Sounding out seedbanks to sonify climate change”, Unlikely: Journal for creative arts 4 (2018) http://unlikely.net.au/issue-03/seed-in-space-sound-in-time. [RILM Abstracts of Music Literature, 2018-64229]

_____. “Popular music & depopulated species: Probing life at the limits in song and science”, Music and arts in action 6/3 (2018) 3–18. http://www.musicandartsinaction.net/index.php/maia/article/view/175. [RILM Abstracts of Music Literature, 2018-44013]

_____. “Shifting baselines: Conveying climate change in popular music”, Environmental communication 12 (2018) 58–70. http://dx.doi.org/10.1080/17524032.2017.1371051. [RILM Abstracts of Music Literature, 2018-54590]

Dissertations and Theses

Gervin, Kelly. Music and environmentalism in twenty-first century American popular culture (M.Mus. thesis, Bowling Green State University, 2017). http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1494162797534902. [RILM Abstracts of Music Literature, 2017-49202]

Gilmurray, Jonathan. Ecology and environmentalism in contemporary sound art (Ph.D. diss., University of the Arts London, 2018). https://ualresearchonline.arts.ac.uk/13705/1/Jonathan%20Gilmurray_PhD%20Thesis_FINAL%20SUBMISSION.pdf. [RILM Abstracts of Music Literature, 2018-50689]

Hilgren, Bailey. The music of science: Environmentalist data sonifications, interdisciplinary art, and the narrative of climate change (M.Mus. thesis, Florida State University, 2019). http://purl.flvc.org/fsu/fd/2019_Spring_Hilgren_fsu_0071N_15127. [RILM Abstracts of Music Literature, 2019-27031]

Kasprzyk, Cory Ryan. Found composition: Ecological awareness and its impact on compositional authority in music employing electronics (DMA diss., Bowling Green State University, 2017). http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1510572689037113 [RILM Abstracts of Music Literature, 2017-49201]   

Online Essays, Podcasts, Websites, and Videos

Adamo, Mark. https://www.markadamo.com/.

*Adams, John Luther. “Global warming and art (2003)”, http://johnlutheradams.net/global-warming-and-art-essay/.

_____. “The end of winter”, https://www.newyorker.com/culture/culture-desk/the-end-of-winter.

Cape Farewell. https://capefarewell.com/.

Chain, Lydia. “Capturing the songs of a changing climate”, Undark, 48 (22 September 2020) https://undark.org/2020/09/22/podcast-48-acoustic-ecology/.

Climate Keys. http://www.climatekeys.com/.

ClimateMusic. https://climatemusic.org/.

Climate Stories Project. https://www.climatestoriesproject.org/climate-music.html.

Crawford, Daniel and Scott St. George. “Planetary bands, warming world”, https://planetbands.mystrikingly.com/.

Currin, Grayson Haver. “Music for our emergency”, NPR music (5 December 2019) https://www.npr.org/2019/12/05/784818349/songs-our-emergency-how-music-approaching-climate-change-crisis.

Dunn, David. http://davidddunn.com/ASL/Welcome.html.

Earthsound. https://www.earthsoundmusic.net.

Eureka Ensemble. “Rising Tides: Confronting the climate crisis through music”, https://www.eurekaensemble.org/rising-tides.

 *Feld, Steven. http://www.stevenfeld.net/.

_____ and Panayotis Panopoulos. “Athens conversation: On ethnographic listening and comparative acoustemologies” (30 April 2015) https://static1.squarespace.com/static/545aad98e4b0f1f9150ad5c3/t/5543bb7de4b0b5d7d7bb3d58/1430502269571/Athens+Conversation.pdf.

_____, Iracema Dulley, Evanthia Patsiaoura, et. al. “Sounding anthropology: A jam session with Steven Feld” n.d. https://static1.squarespace.com/static/545aad98e4b0f1f9150ad5c3/t/5fbf1a54173fb5383b932d46/1606359637987/Sounding+Anthropology.pdf.

Fragments of Extinction. http://www.fragmentsofextinction.org/fragments-of-extinction/.

Harris, Yolande. https://www.yolandeharris.net/.

Howe, Cymene and Dominic Boyer. “Matthew Burtner”, Cultures of energy: The energy humanities podcast. 96 (19 October 2017) http://culturesofenergy.com/ep-96-matthew-burtner/.

Jones, Lucy. “The music of climate change”, Dr. Lucy Jones (15 May 2019) http://drlucyjones.com/the-music-of-climate-change/.

Legacies of the Enlightenment: Humanity, Nature, and Science in a Changing Climate.  https://legaciesoftheenlightenment.hcommons.org/.

Mauleverer, Charles. “Can music ever be green? An overview of the changing musical climate”, (12 April 2019) https://www.charlesmauleverer.com/post/2019/04/12/Can-Music-Ever-Be-Green-An-Overview-Of-The-Changing-Musical-Climate.

Miles, Emily. “Empathy through environmental music, Part 1”. In this climate (3 February 2020) https://www.stitcher.com/show/in-this-climate/episode/empathy-through-environmental-music-part-1-67058147.

_____. “Empathy through environmental music, Part 2”, In this climate (3 February 2020) https://www.stitcher.com/show/in-this-climate/episode/empathy-through-environmental-music-part-2-67062837.

 Orchestra for the Earth. https://www.orchestrafortheearth.co.uk/.

 *Perrin, Lola. http://www.lolaperrin.com/lolaperrin.

Quin, Douglas. http://www.douglasquin.com/.

Reubold, Todd. “A song of our warming planet”, Ensia (28 June 2013) https://ensia.com/videos/a-song-of-our-warming-planet/.

_____. “What global warming sounds like from the Amazon to the Arctic”, Ensia (7 May 2015) https://ensia.com/videos/what-climate-change-sounds-like-from-the-amazon-to-the-arctic/.

*Tin, Christopher. https://christophertin.com/.

*Titon, Jeff Todd. “Music in a changing climate”, Sustainable music (1 September 2015) https://sustainablemusic.blogspot.com/2015/09/music-in-changing-climate.html.

Twedt, Judy. Connecting to climate change through music. (2018) https://tedxseattle.com/talks/connecting-to-climate-change-through-music/.

Westerkamp, Hildegard.The disruptive nature of listening” (18 August 2015) https://www.hildegardwesterkamp.ca/writings/writingsby/?post_id=11&title=the-disruptive-nature-of-listening.

Yakutchik, MaryAlice.Composer records beetles to mark climate change”, NPR music (10 March 2008). https://www.npr.org/templates/story/story.php?storyId=88074919.

Recordings

*Adams, John Luther, Become trilogy. CD (Canteloupe Music CA21161, 2020).

_____. Lines made by walking. CD (Cold Blue Music, CB 0058 (2020).

Burtner, Matthew. Auksalaq: Live at the Phillips Collection. DVD (EcoSono, 2013).

_____. Glacier music. CD (Ravello Records RR8001, 2019).

_____. Six ecoacoustic quintets/Avian telemetry (Ravello Records RR8040, 2020).

Sayre, Mike. Music for icebergs. CD (Teknofonic Recordings, 2017).

*Tin, Christopher. The drop that contained the sea. CD (DeccaGold, 2014).

Volsness, Kristin. The year without a summer. CD (New Focus Recordings DCR218, 2018).