Free Gran Fandango Performance

Concluding the first night of the upcoming fandango conference, we have a special treat! At 7 pm, April 17, in the Graduate Center’s Segal Theater, Radio Jarocho will perform a Gran Fandango. This performance is free and open to the public, so even if you are unable to join us for the conference paper sessions, [...]

More

Partnership with the Early Music Morella Festival

The Foundation for Iberian Music is pleased to announce a new partnership with the Early Music Morella Festival for medieval and Renaissance music. The festival, which will be held July 19-23 in the medieval town of Morella, Castellón (Spain), was founded by the early music group Capella de Ministrers. The Capella recently presented a concert [...]

More

New Work, Concerts, Awards from Our Commissions Roster

This week, we are proud to have news for not one, not two, but three of our past Composer’s Commission recipients! Benet Casablancas (2012) has the New York premiere of his work Six Glosses on Texts by Cees Nooteboom upcoming March 24. The work will be performed by Ear Heart Music Ensemble at Brooklyn’s fabulous [...]

More

Granados Centenary Performance

A major highlight of the Granados Centenary celebrations will be the performance in New York of the long-lost masterpiece Cant de les estrelles (Song of the Stars) by Voices of Ascension, directed by Dennis Keene, with pianist Douglas Riva.

More

The Global Reach of the Fandango

April 17, 2015: The Foundation is hosting an upcoming conference on the history and scope of the fandango. Emerging from the Atlantic slave trade with its cataclysmic remaking of the Western world, the fandango was born in the ports of Cádiz, Veracruz, Sao Paolo and Havana, and proliferated throughout Europe and the Americas. Widely dispersed in terms of geography, class, and cultural reference, the fandango’s many faces reflect a diversity of exchange across what was once the Spanish Empire.

More

Upcoming Granados Events

The Centenary and Anniversary of Enrique Granados Commemoration is fast expanding. Many talented scholars and artists have agreed to participate, and several events have been schedule for the future, in both New York City and Washington D.C.

The Hispanic Society of America has announced a series of three concerts of music by Granados in honor of the Granados Centenary and in recognition of the important relationship between Granados and the Hispanic Society of America. In 2016, the chorus of the National Cathedral in Washington D.C. will perform Granados’ Cant de les estelles. An academic conference has also been schedule for that same year, in order to bring together scholars to explore Granados’ life and works.

More

Enrique Granados Centenary and Anniversary

The coincidence of the Centenary of Granados’ death in 2016 and the 150th Anniversary of his birth in 2017 provides a unique opportunity to re-discover and re-evaluate the important contributions of Enrique Granados to the musical world and to highlight the ties between his native Catalunya and the city of New York. An international committee is now actively working to organize and coordinate events commemorating the Granados Centenary around the world, including Walter A. Clark, Miriam Perandones Lozando, John Watson Milton, Mary Ann Newman, Mònica Pagès, Antoni Piza, Douglas Riva, and Anna Tonna.

More

Postmodernity’s Musical Pasts International Conference 2015

The Barry S. Brook Center for Music Research and Documentation announces the international conference, Postmodernity’s Musical Pasts: Rediscoveries and Revivals after 1945, to be held at The City University of New York, The Graduate Center 26-27 March 2015. We are inviting papers based on new research that address the multi-faceted topics related to rediscoveries and revivals while drawing upon the methodologies of ethnomusicology, historical musicology, music theory, cultural studies, and anthropology. We encourage presentations on a variety of topics from the early music revival in the U.S. and Europe to the folk revival movement in the post-Soviet era, from compositions responding to revivalist notions to currents in the discipline of musicology.

More